Wednesday, November 09, 2005
Well, I just got back from the CMC. No, dis time I wasn't in der. My loverly wife, Helen, aka da Hell Cat, had heard dat her Aunt Mildred Butler, a spry 93-year-old woman was admitted ta da hospital. She had been particularly depressed over da recent death of her husband, Earl Butler. We used ta call him "da Pearl," not onna counta his basketball skills, but because of his pearly whites, which he prominently flashed when he smiled. Mildred decided that she would just kill herself, git da aches n pains over wit and join him in death.
Thinking that it would be best to get it over with quickly, she took out Earl's old Army pistol and made da decision to shoot herself in da heart, since it was so badly broken in da first place.
Not wanting to miss da vital organ and become a vegetable and burden to someone, she called her doctor's office to inquire as to just exactly where da heart would be on a woman. Da doctor said, "Your heart would be just below your left breast."
Later dat night, Mildred was admitted to da CMC with a gunshot wound to her knee.
It's been a tough week fer da whole family.
Wednesday, September 28, 2005
A diva gets stuck in the slow lane
Barbra Streisand and Barry Gibb are together again, taking a something-for-everyone approach.Barbra Streisand
"Guilty Pleasures" (Columbia Records)
A quarter-century after teaming up for their Grammy-winning "Guilty" album, those musically strange bedfellows Barbra Streisand and Barry Gibb are together again, taking a something-for-everyone approach that works quite well ... sometimes.
Gibb co-produced (with John Merchant) and co-wrote all 11 songs on "Guilty Pleasures," which takes Streisand from Sade-like world pop to Madonna-Mariah dance-floor territory to theatrical pop ballads. But if a song is the singer's vehicle, a lot of these create the impression of Dale Earnhardt Jr. trapped behind the wheel of a Ford Focus.
Streisand's magnificent instrument cries out for long stretches of road on which it can truly open up, and the conventional pop song form in which Gibb is most at home as a writer rarely gives her the long melodic straightaways and gentle curves to show us what she's truly capable of.
"Without Your Love" is more of a Broadway-type ballad that meets her on her level, a eulogy for a faded love affair from which she wrings buckets of emotion. Her duets with Gibb, "Come Tomorrow" and "Above the Law," live up to the album's title, melding their distinctly disparate voices and styles expertly.
Several songs explore missed opportunities in the land of love, and there's some sense of a missed opportunity in this effort as well, one that might have been rectified with less energy expended on varied beats, tempos and textures and more on emotional payoff.
Wednesday, September 14, 2005
Lost In Wal-Mart
Pops McGonigle was pushing his cart around Wal-Mart when he collided into the cart of another old guy. Pops says to the other guy, "Sorry about that. I'm looking for my loverly wife, Helen, aka the HellCat and I guess I wasn't paying attention to where I was going."
The other guy says, "That's OK, It's a coincidence. I'm looking for my wife, too. I can't find her and I'm getting a little desperate."
Pops says, "Well, maybe I can help you find her. What does she look like?"
The other guy says, "Well, she is 27 yrs old, tall, with blond hair, blue eyes, long legs, big busted, and is wearing short shorts. What does your wife look like?"
To which Pops says, "Doesn't matter . . . let's look for yours."
Thursday, September 08, 2005
73's from Pops
Thursday, September 01, 2005
73s from Pops
Thursday, August 25, 2005
73s from Pops
Thursday, August 11, 2005
73's from Pops
Wednesday, July 20, 2005
As the curtain goes up, two lines of dancers in earth-tone leotards [dey look almost neked ta me.] are frozen in dis zigzag design with der arms up. It's supposed ta symbolice some tin, but I give up. Da women lie on the floor spoke-fashion sorta like da old June Taylor dancers and the men step between them in some kinda weird sword dance. According ta da program da brilliant centerpiece of Shambards is the passionately wrought tug-of-war pas de deux in which Jock Soto and Miranda Weese, in deep red tattered tulle, relentlessly torment each other. Now den dey was gettin too close ta home here. Den der was some Scottish dancing day was quite fast.
73's from Pops